Gimenes, M. and Miranda, E. (2011) Emergent Worldviews: An Ontomemetic Approach to Musical Intelligence, in Eduardo R. Miranda (ed.), A-Life for Music: On Music and Computer Models of Living Systems (Middleton, Wisconsin: A-R Editions). (pdf)
Journal Papers
da Silva, R. F. and M. Gimenes (2017). “” Escola Jabour”: Hermeto Pascoal & Grupo e suas ramificações.” Revista Vórtex 5(1): 1. (pdf)
Gimenes, M. (2011) Panorama dos modelos computacionais aplicados à musicologia cognitiva (Overview of computer models for cognitive musicology). Revista Cognição & Artes Musicais. Curitiba, Brazil. (pdf)
Conference Papers
Gimenes, M. (2018). Interactive behaviour analysis of a participatory music performance with smartphones. (sent to conference).
Gimenes, M. (2018). Sonic crossings with audience participation: The Embodied iSound performance. (sent to conference).
Gimenes, M. (2018). Experiments on collective decision-making and musical metacreative performances with audience participation. (sent to conference).
Gimenes, M., P.-E. Largeron and E. R. Miranda (2016). Frontiers: Expanding Musical Imagination With Audience Participation. New Interfaces for Musical Expression, Brisbane, Australia. (pdf)
Gimenes, M. (2016). Crossing Musical Frontiers With Audience Participation And Smartphones. Porto International Conference on Musical Gesture as Creative Interface, Porto, Portugal.
Gimenes, M. (2015). Artificial Worlds and the Simulation of Music Evolution. Study Day on Computer Simulation of Musical Creativity. Huddersfield. (video)
Gimenes, M. (2013). Improved Believability in Agent-Based Computer Musical Systems Designed to Study Music Evolution. International Symposium on Computer Music Multidisciplinary Research, Marseille. (pdf)
Liedke, C. C. and Gimenes, M. (2013). Educação Musical e Texturas – Uma abordagem Multissensorial. IX Simpósio de Cognição e Artes Musicais – SIMCAM 9. Belém do Pará.
Silva, R. d., Goldemberg, R., Gimenes, M. (2013). Em Busca de um Modelo de Memória Aplicável à Audiação Notacional. IX Simpósio de Cognição e Artes Musicais – SIMCAM 9. Belém do Pará.
Tenório, A.C., Santos, R.M.R., Gimenes, M. (2013). Emoção e Ansiedade na Performance Musical. IX Simpósio de Cognição e Artes Musicais – SIMCAM 9. Belém do Pará.
Gimenes, M. and J. Manzolli (2012). Chronicling the development of musical styles: a computer-based approach. Conference on Interdisciplinary Musicology. Göttingen, Germany.
Gimenes, M. (2012). Compreendendo os estados motivacionais e suas relações com a evolução musical (Understanding how motivational states affect musical evolution). VIII Simpósio de Cognição e Artes Musicais. Florianópolis. (pdf)
Gimenes, M. (2011). Do caráter transdisciplinar dos sistemas interativos musicais (The transdisciplinary character of interactive musical systems). VII Simpósio de Cognição de Artes Musicais. Brasilia, Brazil. (pdf)
Gimenes, M. and Manzolli, J. (2010). Crítica ao Design de Interfaces Musicais: dos Instrumentos Tradicionais aos Novos Dispositivos com Suporte Tecnológico (Comments on the design of musical interfaces: from traditional instruments to new devices with technological support). XX Congresso da Associação Nacional de Pesquisa e Pós-Graduação em Música (ANPPOM). Florianopolis, Brazil. (pdf)
Gimenes, M. (2010). A Ontomemética e a Evolução Musical (Ontomemetics and musical evolution). VI Simpósio de Cognição e Artes Musicais (SIMCAM). Rio de Janeiro, Brazil. (pdf)
Gimenes, M. and Miranda, E. R. (2008). An A-Life Approach to Machine Learning of Musical Worldviews for Improvisation Systems. Proceedings of 5th Sound and Music Computing Conference, Berlin. Germany. (pdf)
Gimenes, M., Miranda, E. & Johnson, C. (2007) Emergent Musical Environments: An Artificial Life Approach. Workshop on Music and Artificial Life (ECAL). Lisbon, Portugal. (pdf)
Gimenes, M., Miranda, E. & Johnson, C. (2007) Musicianship for Robots with Style. New Interfaces for Musical Expression. New York, USA. (pdf)
Gimenes, M. & Manzolli, J. (2006) Técnicas e “affordances” instrumentais – um modelo para a performance e a criação na música contemporânea (Technical and instrumental affordances: a model for the performance and creativity in contemporary music). Congresso da Associação Nacional de Pesquisa e Pós-Graduação em Música. Brasilia, Brazil. (pdf)
Gimenes, M., Miranda, E. & Johnson, C. (2006) The development of musical styles in a society of software agents. International Conference on Music Perception and Cognition. Bologna, Italy, Bologna University Press. (pdf)
Gimenes, M., Miranda, E. & Johnson, C. (2005) A Memetic Approach to the Evolution of Rhythms in a Society of Software Agents. Brazilian Symposium on Computer Music. Belo Horizonte, Brazil. (pdf)
Gimenes, M., Miranda, E. & Johnson, C. (2005) On the Learning Stages of an Intelligent Rhythmic Generator. Sound and Music Computing Conference. Salerno, Italy. (pdf)
Martins, J., Gimenes, M., Manzolli, J. & Maia Jr, A. (2005) Similarity Measures for Rhythmic Sequences. Brazilian Symposium on Computer Music. Belo Horizonte, Brazil. (pdf)
Coutinho, E., Gimenes, M., Martins, J. & Miranda, E. (2005) Computational Musicology: An Artificial Life Approach. Portuguese Workshop on Artificial Life and Evolutionary Algorithms. Covilhã, Portugal. (pdf)
Gimenes, M., E. Miranda and C. Johnson (2005). Towards an intelligent rhythmic generator based on given examples: a memetic approach. Digital Music Research Network Summer Conference, Glasgow, UK. (pdf)
Gimenes, M. (2003). As Estruturas Verticais na Improvisação de Bill Evans. Brazilian Symposium on Computer Music, Campinas, Brazil. (pdf)
Book Review
Martins, J. M., Gimenes, M. & Zhang, Q. (2005) Music Query. Methods, Models and User Studies. In Hewlett, W. B. & Selfridge-Field, E. (Eds.) Computing in Musicology. Cambridge, 2004, MIT Press
