Publications

Book Chapter

• Gimenes, M. and Miranda, E. (2011) Emergent Worldviews: An Ontomemetic Approach to Musical Intelligence, in Eduardo R. Miranda (ed.), A-Life for Music: On Music and Computer Models of Living Systems (Middleton, Wisconsin: A-R Editions). (pdf)

Journal Papers

• da Silva, R. F. and M. Gimenes (2017). “” Escola Jabour”: Hermeto Pascoal & Grupo e suas ramificações.” Revista Vórtex 5(1): 1. (pdf)
• Gimenes, M. (2011) Panorama dos modelos computacionais aplicados à musicologia cognitiva (Overview of computer models for cognitive musicology). Revista Cognição & Artes Musicais. Curitiba, Brazil. (pdf)

Conference Papers

• Gimenes, M. (2018). Interactive behaviour analysis of a participatory music performance with smartphones. (sent to conference).
• Gimenes, M. (2018). Sonic crossings with audience participation: The Embodied iSound performance. (sent to conference).
• Gimenes, M. (2018). Experiments on collective decision-making and musical metacreative performances with audience participation. (sent to conference).
• Gimenes, M., P.-E. Largeron and E. R. Miranda (2016). Frontiers: Expanding Musical Imagination With Audience Participation. New Interfaces for Musical Expression, Brisbane, Australia. (pdf)
• Gimenes, M. (2016). Crossing Musical Frontiers With Audience Participation And Smartphones. Porto International Conference on Musical Gesture as Creative Interface, Porto, Portugal.
• Gimenes, M. (2015). Artificial Worlds and the Simulation of Music Evolution. Study Day on Computer Simulation of Musical Creativity. Huddersfield. (video)
• Gimenes, M. (2013). Improved Believability in Agent-Based Computer Musical Systems Designed to Study Music Evolution. International Symposium on Computer Music Multidisciplinary Research, Marseille. (pdf)
• Liedke, C. C. and Gimenes, M. (2013). Educação Musical e Texturas – Uma abordagem Multissensorial. IX Simpósio de Cognição e Artes Musicais – SIMCAM 9. Belém do Pará.
• Silva, R. d., Goldemberg, R., Gimenes, M. (2013). Em Busca de um Modelo de Memória Aplicável à Audiação Notacional. IX Simpósio de Cognição e Artes Musicais – SIMCAM 9. Belém do Pará.
• Tenório, A.C., Santos, R.M.R., Gimenes, M. (2013). Emoção e Ansiedade na Performance Musical. IX Simpósio de Cognição e Artes Musicais – SIMCAM 9. Belém do Pará.
• Gimenes, M. and J. Manzolli (2012). Chronicling the development of musical styles: a computer-based approach. Conference on Interdisciplinary Musicology. Göttingen, Germany.
• Gimenes, M. (2012). Compreendendo os estados motivacionais e suas relações com a evolução musical (Understanding how motivational states affect musical evolution). VIII Simpósio de Cognição e Artes Musicais. Florianópolis. (pdf)
• Gimenes, M. (2011). Do caráter transdisciplinar dos sistemas interativos musicais (The transdisciplinary character of interactive musical systems). VII Simpósio de Cognição de Artes Musicais. Brasilia, Brazil. (pdf)
• Gimenes, M. and Manzolli, J. (2010). Crítica ao Design de Interfaces Musicais: dos Instrumentos Tradicionais aos Novos Dispositivos com Suporte Tecnológico (Comments on the design of musical interfaces: from traditional instruments to new devices with technological support). XX Congresso da Associação Nacional de Pesquisa e Pós-Graduação em Música (ANPPOM). Florianopolis, Brazil. (pdf)
• Gimenes, M. (2010). A Ontomemética e a Evolução Musical (Ontomemetics and musical evolution). VI Simpósio de Cognição e Artes Musicais (SIMCAM). Rio de Janeiro, Brazil. (pdf)
• Gimenes, M. and Miranda, E. R. (2008). An A-Life Approach to Machine Learning of Musical Worldviews for Improvisation Systems. Proceedings of 5th Sound and Music Computing Conference, Berlin. Germany. (pdf)
• Gimenes, M., Miranda, E. & Johnson, C. (2007) Emergent Musical Environments: An Artificial Life Approach. Workshop on Music and Artificial Life (ECAL). Lisbon, Portugal. (pdf)
• Gimenes, M., Miranda, E. & Johnson, C. (2007) Musicianship for Robots with Style. New Interfaces for Musical Expression. New York, USA. (pdf)
• Gimenes, M. & Manzolli, J. (2006) Técnicas e “affordances” instrumentais – um modelo para a performance e a criação na música contemporânea (Technical and instrumental affordances: a model for the performance and creativity in contemporary music). Congresso da Associação Nacional de Pesquisa e Pós-Graduação em Música. Brasilia, Brazil. (pdf)
• Gimenes, M., Miranda, E. & Johnson, C. (2006) The development of musical styles in a society of software agents. International Conference on Music Perception and Cognition. Bologna, Italy, Bologna University Press. (pdf)
• Gimenes, M., Miranda, E. & Johnson, C. (2005) A Memetic Approach to the Evolution of Rhythms in a Society of Software Agents. Brazilian Symposium on Computer Music. Belo Horizonte, Brazil. (pdf)
• Gimenes, M., Miranda, E. & Johnson, C. (2005) On the Learning Stages of an Intelligent Rhythmic Generator. Sound and Music Computing Conference. Salerno, Italy. (pdf)
• Martins, J., Gimenes, M., Manzolli, J. & Maia Jr, A. (2005) Similarity Measures for Rhythmic Sequences. Brazilian Symposium on Computer Music. Belo Horizonte, Brazil. (pdf)
• Coutinho, E., Gimenes, M., Martins, J. & Miranda, E. (2005) Computational Musicology: An Artificial Life Approach. Portuguese Workshop on Artificial Life and Evolutionary Algorithms. Covilhã, Portugal. (pdf)
• Gimenes, M., E. Miranda and C. Johnson (2005). Towards an intelligent rhythmic generator based on given examples: a memetic approach. Digital Music Research Network Summer Conference, Glasgow, UK. (pdf)
• Gimenes, M. (2003). As Estruturas Verticais na Improvisação de Bill Evans. Brazilian Symposium on Computer Music, Campinas, Brazil. (pdf)

Book Review

• Martins, J. M., Gimenes, M. & Zhang, Q. (2005) Music Query. Methods, Models and User Studies. In Hewlett, W. B. & Selfridge-Field, E. (Eds.) Computing in Musicology. Cambridge, 2004, MIT Press